I have read that it is a mistake to mix by addition rather than subtraction. When I find that certain sounds are too quiet in my mix I will usually …

Hi Bob. First off, thanks for this informative site. I write, produce and mix electronic music in my homestudio setup. I use a pair of Adam A7 nearfield monitors (love …

From: carlo celuque My comments are: I am a Keyboard player and work with Synths in a “Progressive New Age Electronic style”, I am looking for articles about mixing Synthesizers.I …

From: Lars Hoel …to you for an excellent presentation at the NYC AES. So now I’m a convert, determined to calibrate my Meyer HD-2w monitors to the 83 dB standard you propose. …

From: Brad Sarno My comments are: Hi. Bob, I checked out some of the CD’s you recommend for listening to mastering and levels and compression. I don’t understand the “-4db …

Hi Bob! I have question about pink noise that is used in monitor level’s calibration. You said about uncorrelated and correlated pink noise, how I can generate this two types …

From: Martin Baird Dear Bob, First of all I wanted to thank you for your great web site. I have learned a great deal from reading your articles and I …

From: James Trammell Bob, I haven’t emailed you in a while. I hope business is as strong as ever. I was at your website again reading about your monitor stands which, …

The question, then, is: When not choosing 24-bit, should we use UV-16 during the record process? (Straight 16-bit sounds so atrocious comparatively, I wonder if it’s better for you that …

Curt Wrote: Dear Bob, Thought I’d relay my K-System escapades from yesterday… it may prove interesting, and I’d like to confirm that I went about it the right way. First of …