Compression: The Fugitive versus Titanic (from my compression article)

Robert Katz Leave a Comment

From: John Glynn

Dear Bob,

By the way, are you the author of that inspiring essay on Compression? It would make a worthy additional book to the bible, maybe just after revelations. I have clients who need to read it NOW. I need to read it AGAIN. Actually I have much reading and recording to do, my stuff still sucks but it is improving. I want one good recording in my lifetime. I will consider anymore then that to be pure gravy. (Give me a break, I just saw Schindler’s list…)

Speaking of movies, I just went and rented Fugitive to listen to the overly compressed loud stuff you mentioned at the begining. My ears are not as tuned in as your own so I would not have picked that out on my own (yet) but in retrospect, if when the bus turned over the sound of the crash were noticeably flat and lifeless, even hauntingly quiet (just dry bending metal, no echo) then the sound of the impact of the train smacking that bus as an audible apocolypse would have been so much more thrilling. It would seem I possibly have more listening to do than reading or recording…

Ok, on to the Titanic. Think the dynamic viriaty will have survived the move to video?

Again, thank you for the quick response.

All the best, John Glynn
 
Dear John: Thanks for your nice comments. I listened to the other day (and watched) the THX-sound Blu-Ray of Titanic on my 5.1 super system and it was as impressive or more impressive than I recall the theatre. Wonderful dynamic range and clarity. I haven’t checked out the Fugitive, I fear the worst.

Take care,

Bob

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